{"id":653,"date":"2026-07-09T12:27:24","date_gmt":"2026-07-09T10:27:24","guid":{"rendered":"https:\/\/www.nicolas-charles.fr\/2025\/?page_id=653"},"modified":"2026-08-04T10:51:09","modified_gmt":"2026-08-04T08:51:09","slug":"latelier","status":"publish","type":"page","link":"https:\/\/www.nicolas-charles.fr\/2025\/latelier\/","title":{"rendered":"L’atelier"},"content":{"rendered":"
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L'atelier<\/h1><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
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Un espace de 300 m\u00b2 \u00e9quip\u00e9 pour la coupe, la peinture, la s\u00e9rigraphie, la gravure et la cuisson. V\u00e9ritable laboratoire de recherche, l'atelier conjugue outils traditionnels et innovations techniques.<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n

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Un lieu de travail et de recherche<\/h2><\/div><\/div>\n\n

Baign\u00e9 de lumi\u00e8re par trois grandes verri\u00e8res, l'atelier r\u00e9unit un vaste espace de travail, une pi\u00e8ce d\u00e9di\u00e9e \u00e0 la gravure du verre, une chambre noire r\u00e9serv\u00e9e \u00e0 la s\u00e9rigraphie, et deux fours de cuisson \u2014 dont un grand format de 225 \u00d7 105 cm. Chaque technique y dispose de son espace propre, pens\u00e9 pour la pr\u00e9cision comme pour l'exp\u00e9rimentation.<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n

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S\u00e9rigraphie sur verre<\/h2><\/div><\/div>\n\n

Dans une chambre noire d\u00e9di\u00e9e, Nicolas Charles pr\u00e9pare et insole ses \u00e9crans avant de tirer motifs et images directement sur le verre. Une technique qu'il explore aussi bien pour la cr\u00e9ation que pour des projets d'artistes.<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n

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Gravure \u00e0 l'acide<\/h2><\/div><\/div>\n\n

Men\u00e9e en cabine d\u00e9di\u00e9e, avec traitement neutralisant des eaux, la gravure creuse et r\u00e9v\u00e8le la mati\u00e8re du verre \u2014 jeux de transparence, de profondeur et de lumi\u00e8re.<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n

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Peinture sur verre<\/h2><\/div><\/div>\n\n

Grisailles, jaune d'argent et rouge de cuivre : les techniques traditionnelles de la peinture sur verre, appliqu\u00e9es et cuites selon les gestes h\u00e9rit\u00e9s des ma\u00eetres verriers.<\/p>\n

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Argenture & cuivrage<\/h2><\/div><\/div>\n\n

Form\u00e9 au CERFAV en 2018, Nicolas Charles pratique l'argenture et le cuivrage du verre \u2014 une technique rare qui donne au verre des reflets miroir singuliers.<\/p>\n

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Thermoformage<\/h2><\/div><\/div>\n\n

Par la chaleur, le verre se d\u00e9forme, se bombe et prend le relief : une voie d'exp\u00e9rimentation vers des pi\u00e8ces sculpturales.<\/p>\n

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